直播60多个盒子破解2020

四川音乐学院学报《音乐探索》2020年第4期目录

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《音乐探索》2020年第4期目录

       

 

艺术(shu)教育

03  刘(liu)立(li)云、李林芸、柳良/综合驱动创新  统整(zheng)彰显特色——基于四川音(yin)乐学院“艺术(shu)课(ke)程”的(de)统整(zheng)研(yan)究

LIU Liyun, LI Linyun, LIU Liang: A Study on the Integration of Art Courses in SCCM

 

10  刘永福/基本乐(le)科(ke)教学现(xian)状及问(wen)题反思

LIU Yongfu: The Current Situation of Teaching Basic Music Subjects and Some Reflections on Its Problems

 

15  朱玉(yu)江/当代知识观转型与(yu)学校音乐课程范式(shi)转向

ZHU Yujiang: The Transformation in the Contemporary Conception of Knowledge and the Paradigm for School Music Course

 

 

新(xin)文科建设

23  孙洪斌/“新(xin)文科”理(li)念(nian)下艺术复(fu)合型(xing)人才创新(xin)性培养模式探索与实践

SUN Hongbin: The Exploration and Practice in the Innovative Mode of Cultivating Compound Art Talents in the Context of “New Liberal Arts”

 

29  康瑞军/“新文科(ke)”背景(jing)下高师(shi)音乐专业学科(ke)建设的挑战与出路

KANG Ruijun: The Challenge and Outlet for the Disciplinary Construction of Music as Major in Normal Universities in the Context of “New Liberal Arts”

 

音乐产业

34  赵志安(an)、曹军军、王毅潇/国(guo)家音(yin)乐产业基地园区评价指(zhi)标(biao)体系的(de)初步建构

ZHAO Zhi’an, CAO Junjun, WANG Yixiao: The Construction of the Evaluation Index System for National Music Industrial Base

 

43  林印(yin)吉/从(cong)声音装置艺术作品看(kan)艺术与科技的(de)融合

LIN Yinji: The Fusion of Art and Technology Viewed from the Sound Installation Works

 

48  曾诚(cheng)/商业音乐产品模式对流(liu)行音乐制作教(jiao)学的(de)影响

ZENG Cheng: The Influence of Commercial Music Products Mode on Popular Music Production Teaching

 

艺术批评

 

54  居其宏/我国歌(ge)剧史论研究(jiu)和批评的现(xian)状与思考(kao)

JU Qihong: The Current Situation of Studies and Criticisms on China Opera History and Some Reflections on It

 

59  陈玲(ling)俐/利盖蒂的“静态”音乐研(yan)究(jiu)——以《永恒之光》为例  

CHEN Lingli: On György Ligeti’s “Static” Music: A Case Study of Lux Aeterna

 

70  朱为总、朱温(wen)臣/信仰抉(jue)择 人性(xing)光芒(mang)——浅(qian)评现代越剧《枫(feng)叶(ye)如花》

ZHU Weizong, ZHU Wenchen: Choice in Belief and Light of Human Nature: A Brief Review of Modern Yue Opera Flower-like Maple Leaves

 

 

王光祈研究

74  杨晓琴、董(dong)一(yi)知/歌(ge)剧还是戏曲？——论王光祈歌(ge)剧观

YANG Xiaoqin, DONG Yizhi：A Study on Wang Guangqi’s Conception of Opera

 

 

人工智能(neng)音乐

 

82  杨小影(ying)/“智能+钢琴(qin)教育”初(chu)步构想浅析

YANG Xiaoying: An Analysis of the Preliminary Conception for AI Assisted Piano Education

 

87  夏一婷、蔡梓(zi)丰/让音乐辅助大脑休息——冥想音乐研究综述(shu)

XIA Yiting，CAI Zifeng: Resting the Brain by Music: A Review of the Studies on Meditation Music

 

 

民族民间音乐   

 

92  齐(qi)柏平/唐代(dai)“山(shan)歌”的内(nei)涵与(yu)外延

QI Baiping: The Connotation and Denotation of the Folk Songs in the Tang Dynasty

 

99  丁博(bo)、杨曦(xi)帆/“整体(ti)性”考量：从学理方法与区域实践说(shuo)起——岷(min)江(jiang)上游地区藏羌多声部民(min)歌研究(jiu)回顾与展(zhan)望

DING Bo, YANG Xifan: A Review and Outlook for the Multi-Voice Songs of Tibetan and Qiang People in the Upper Reaches of Min River

 

108  吴志闹/琵(pi)琶在当(dang)代(dai)民族管弦乐队弹拨乐组中的配器

WU Zhinao: The Orchestration of Pipa in Plucked Strings of Contemporary Chinese National Orchestra

 

 

音乐(le)史学

 

116  陈海、田可(ke)文/论(lun)柏林歌(ge)曲乐派的(de)三阶段及其风格

CHEN Hai, TIAN Kewen: The Three Stages of Berlin Lieder School and Its Style

 

127  汪(wang)洋、董楚玮(wei)/李树化在浙江(jiang)大学(xue)（1946～1956年）的音乐(le)活动考     

WANG Yang, DONG Chuwei: An Investigation into the Musical Activities of Li Shuhua in Zhejiang University from 1946 to 1956

 

136  池(chi)瑾璟(jing)/新历(li)史(shi)主(zhu)义(yi)视阈下的【满庭(ting)芳(fang)】研究   

CHI Jinjing: A Study on the Tune Pattern Mantingfang in the Perspective of New Historicism

 

142  《音乐(le)探索》第三十六卷总目(mu)录

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